World History Module 4 the Birth of New Ideas 0403 Renaissance Humanities and Fine Arts

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, nearly of what we learn most art history today nonetheless centers on white men from Europe and, later, the Us. In reality, in that location are then many more artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a wait at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its nearly unsung heroes, these women artists all had a hand — and, in some cases, notwithstanding accept a hand — in irresolute the earth of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Afterward studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female person picture characters, amidst them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the performance Cut Slice, 1964, and a motion picture of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York Metropolis in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You lot might first call back of Yoko Ono equally a musician and activist, but she's also an accomplished functioning and conceptual artist. Ono was considered a pioneer in the performance fine art motion, earning the nickname the "High Priestess of the Happening".

One of her nearly revered works, Cutting Slice, was a performance she start staged in Japan; Ono sat on stage in a nice conform and placed scissors in front end of her, and, in an human activity of daring vulnerability, invited audience members to come up on stage and cut away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't exercise it, I commencement to choke."

Betye Saar

Betye Saar'south Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in plough, office of the trajectory of art history.

Saar was part of the Blackness Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the flim-flam is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, and so you might be able to give them some sort of message."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the Globe Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her cocky-portraits. Kahlo oft used bold, bright colors to create her symbol-rich works, and was regarded as one of the nearly influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature historic period, simply she's also known for her hyper-real sculptures, polka dots, installations, then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Onetime Kickoff Lady Michelle Obama (50) and artist Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale pare tones — as she was the starting time Blackness adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you lot likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first adult female painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilded Lion for best creative person in Okwui Enwezor's biennial exhibition All the World'south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question club, identity, and racial politics by demanding the audition to confront truths most themselves. She oftentimes challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship betwixt Islam'due south cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on various concepts, such every bit trauma, cognition, and hope. 1 of her more notable works, I Odour You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Northward American culture. In 2005, she was the showtime Indigenous adult female to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Petty Taste Outside of Love, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced past popular civilisation and popular fine art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. Every bit exemplified in her iconic work The Dinner Party, her installation pieces oftentimes examine the role of women in history and civilization — in the 1970s and before. While at California Country University in Fresno, Chicago founded the first feminist fine art program in the The states.

Augusta Brutal

Augusta Roughshod with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Eatables

Augusta Barbarous was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just expect up her most famous piece of work, Interior Scroll, and you'll see what we hateful.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York City'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'due south the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa'south concluding public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — just in a manner that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Honour at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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